The Eye Word

Gordon Hookey belongs to the Waanyi people and locates his art at the interface where Aboriginal and non-Aboriginal cultures converge. His style and approach is distinctive in its vibrancy and best known for its biting satire of Australia’s political landscape, its leaders and representatives. Hookey's work combines figurative characters, iconic symbols, bold comic-like text, and a spectrum of vibrant colours. Hookey is a core member of Brisbane-based Indigenous collective proppaNOW alongside fellow artists including Richard Bell, Vernon Ah Kee and Jennifer Herd. His work is held in major collections within Australia including the Queensland Art Gallery | Gallery of Modern Art and University of Queensland Art Museum, Brisbane; Art Gallery of Western Australia, Perth; National Gallery of Australia and Australian National University, Canberra; National Gallery of Victoria, Melbourne; University of Technology, Sydney and a number of significant private collections. In 2017 Hookey was included in Documenta 14 (Athens and Kassel) and ‘The National: New Australian Art’ at the Museum of Contemporary Art, Sydney

Dr. Eve L. Ewing is a sociologist of education and a writer from Chicago. She is the author of Ghosts in the Schoolyard: Racism and School Closings on Chicago's South Side. She is also author of Electric Arches, which received awards from the American Library Association and the Poetry Society of America and was named one of the year's best books by NPR and the Chicago Tribune. She is the co-author (with Nate Marshall) of the play No Blue Memories: The Life of Gwendolyn Brooks. She also writes the Ironheart series for Marvel Comics. Ewing is an assistant professor at the University of Chicago School of Social Service Administration. Her work has been published in The New Yorker, The Atlantic, The New York Times, and many other venues.