Raelee Lancaster has a dual career: firstly as an information services professional, and secondly as a writer, collaborator, and creative producer.
Raelee's information services career focuses on library services. She has a keen interest in archives, research, and publishing. Raelee hopes to combine her information services work with her arts career to promote empathy, listening, and laughter in the GLAM (galleries, libraries, archives, and museums) sector.
Raelee has called herself a writer since 2017. Her writing crosses poetry, nonfiction, criticism, and playwriting. Raelee's writing has has featured in The Guardian, SBS Voices, The Saturday Paper, Overland, Meanjin, The Big Issue, Australian Poetry Journal, and more. Anthologies that feature her work include Fire Front: First Nations Poetry and Power Today (UQP, 2020) and The Anthology of Australian Prose Poetry (MUP, 2020).
In 2018, Raelee was awarded first place for the Nakata Brophy Prize for Young Indigenous Writers. From 2018-2020, Raelee was employed by the National Young Writers Festival, firstly as a creative producer and subsequently as Co-Director. In 2019, Raelee was a recipient of a Copyright Agency First Nations Fellowship.
Raelee is based in Brisbane/Meanjin. Raised on Awabakal land in Newcastle NSW, Raelee is descended from the Wiradjuri and Biripi peoples.
Claire G. Coleman is a Wirlomin Noongar woman whose ancestral country is on the south coast of Western Australia. Born in Perth she has spent most of her life in Naarm (Melbourne) or on the road. She has written 3 novels Terra Nullius (2019), The Old Lie (2019), and Enclave and a non-fiction book Lies Damned Lies: A personal exploration of the the impact of colonisation (2021). Her art criticism has been published in Spectrum, Artlink and Art Collector and in exhibition catalogues for NGV, AGSA and NGA and others. Her conceptual/video work Refugium won the Incinerator Art Award in 2021 and she will feature in a number of exhibitions in 2022. She writes novels, poetry, short-fiction, drama and essay and has featured in the Saturday Paper, the Guardian, Meanjin, Australian Poetry and many others. Her short fiction and poetry has been published in multiple anthologies.
Djon Mundine OAM has an eminent career in contemporary Australian art. A foundational figure in the criticism, development and exhibition of contemporary Aboriginal art, he is widely respected as an intellectual, activist and cultural leader. A sought-after and innovative curator, the quality and volume of his writing and public speaking is a testimony to his influence, national and international reach. A commitment to grass-roots practice and development underlies his activities as curator, project leader, teacher and mentor to artists and communities across Australia.
Rhianna Patrick is a freelance Torres Strait Islander journalist, broadcaster and audio content creator with 25 years' media experience. She's worked across news, tv documentaries, national radio programming and podcasts. She's written for Kill Your Darlings, NME Australia, The Australian Music Vault, Rotten Tomatoes and IndigenousX. Rhianna also curates one of Spotify Australia's Aboriginal and Torres Strait Islander playlists, 'Original Storytellers'.